FADE-IN CONSTRUCTION SITE – WIDE SHOT – DAY
Walker’s truck is shown entering
GLEN COVE CONSTRUCTION site. Three CONSTRUCTION TOUGHS mill around
out front, kicking at dirt and leaning against various objects.
WALKER exits his DUSTY AMERICAN TRUCK and approaches them.
Walker’s truck is shown entering
GLEN COVE CONSTRUCTION site. Three CONSTRUCTION TOUGHS mill around
out front, kicking at dirt and leaning against various objects.
WALKER exits his DUSTY AMERICAN TRUCK and approaches them.
WALKER: I’m a Texas
Ranger, do any of you boys know where I can find the front office?
Ranger, do any of you boys know where I can find the front office?
FADE-IN CONSTRUCTION SITE – WIDE SHOT – DAY
Walker’s truck is shown entering
GLEN COVE CONSTRUCTION site. Three CONSTRUCTION TOUGHS mill around
out front, kicking at dirt and leaning against various objects.
WALKER exits his DUSTY AMERICAN TRUCK and approaches them.
Walker’s truck is shown entering
GLEN COVE CONSTRUCTION site. Three CONSTRUCTION TOUGHS mill around
out front, kicking at dirt and leaning against various objects.
WALKER exits his DUSTY AMERICAN TRUCK and approaches them.
WALKER: I’m a Texas
Ranger, do any of you boys know where I can find the front office?
CONSTRUCTION TOUGH
1: Office? Ain’t never seen no OFFICE round here… Either uh you
boys know anything ’bout an office?
Ranger, do any of you boys know where I can find the front office?
CONSTRUCTION TOUGH
1: Office? Ain’t never seen no OFFICE round here… Either uh you
boys know anything ’bout an office?
CONSTRUCTION TOUGH
2 (spits on ground menacingly): Nope. Not me.
2 (spits on ground menacingly): Nope. Not me.
CONSTRUCTION TOUGH
3 (picks up LENGTH OF STEEL PIPE and begins pounding it into his hand
in a threating fashion): Nuh-uh.
3 (picks up LENGTH OF STEEL PIPE and begins pounding it into his hand
in a threating fashion): Nuh-uh.
CONSTRUCTION TOUGH
1: See ranger, like I said, there AIN’T no office. So I SUGGEST you
jus’ g’on ahead and move along now, n’such.
1: See ranger, like I said, there AIN’T no office. So I SUGGEST you
jus’ g’on ahead and move along now, n’such.
WALKER: (squinting): What about that sign back there
that says “office”?
that says “office”?
CONSTRUCTION TOUGH
1: Get ‘im boys!
1: Get ‘im boys!
WALKER: …
FIGHTING ACTION music begins to play
as three CONSTRUCTION TOUGHS advance on WALKER. CONSTRUCTION TOUGH 3
swings LENGTH OF STEEL PIPE at , who sidesteps it easily and
delivers a power-punch to the stomach of CONSTRUCTION TOUGH 3,
dropping him to the ground.
as three CONSTRUCTION TOUGHS advance on WALKER. CONSTRUCTION TOUGH 3
swings LENGTH OF STEEL PIPE at , who sidesteps it easily and
delivers a power-punch to the stomach of CONSTRUCTION TOUGH 3,
dropping him to the ground.
CONSTRUCTION TOUGH
3: OOF!
3: OOF!
CONSTRUCTION TOUGH 2 dashes at
WALKER swinging RUSTY IRON CHAIN.
WALKER swinging RUSTY IRON CHAIN.
CONSTRUCTION TOUGH
2: YEEEAAAAARRRRGGGHHHHHH!
2: YEEEAAAAARRRRGGGHHHHHH!
WALKER ducks under first swing,
leaps over second, and rolls out of the way of third. Coming out of
his roll, WALKER executes SPINNING SNAP KICK on CONSTRUCTION TOUGH
2’s legs, knocking him over.
leaps over second, and rolls out of the way of third. Coming out of
his roll, WALKER executes SPINNING SNAP KICK on CONSTRUCTION TOUGH
2’s legs, knocking him over.
CONSTRUCTION TOUGH
2: Nnngg!
2: Nnngg!
CONSTRUCTION TOUGH 1 produces
FLIPKNIFE 1 from TORN JEAN JACKET VEST and brandishes it. He points
FLIPKNIFE 1 at WALKER and crouches low. He grins, and with his free
hand he makes a beckoning gesture.
FLIPKNIFE 1 from TORN JEAN JACKET VEST and brandishes it. He points
FLIPKNIFE 1 at WALKER and crouches low. He grins, and with his free
hand he makes a beckoning gesture.
CONSTRUCTION TOUGH
1: Come on big daddy! Show me whatcha got!
1: Come on big daddy! Show me whatcha got!
WALKER: …
CONSTRUCTION TOUGH 1 lunges at
WALKER with FLIPKNIFE 1. WALKER dodges, grasps CONSTRUCTION TOUGH 1’s
wrist and executes a BRISK CHOP on it, causing FLIPKNIFE 1 to drop to
the ground. CONSTRUCTION TOUGH 1 throws a number of punches in
WALKER’s direction, but none connect. WALKER throws WHISPY PUNCH to
CONSTRUCTION TOUGH 1’s face, follows it up with a CRACKING BLOW, and
then a WHIP KICK, causing CONSTRUCTION TOUGH 3 to stumble back.
WALKER then winds up and performs CLASSIC ROUNDHOUSE on CONSTRUCTION
TOUGH 1, causing him to collapse.
WALKER with FLIPKNIFE 1. WALKER dodges, grasps CONSTRUCTION TOUGH 1’s
wrist and executes a BRISK CHOP on it, causing FLIPKNIFE 1 to drop to
the ground. CONSTRUCTION TOUGH 1 throws a number of punches in
WALKER’s direction, but none connect. WALKER throws WHISPY PUNCH to
CONSTRUCTION TOUGH 1’s face, follows it up with a CRACKING BLOW, and
then a WHIP KICK, causing CONSTRUCTION TOUGH 3 to stumble back.
WALKER then winds up and performs CLASSIC ROUNDHOUSE on CONSTRUCTION
TOUGH 1, causing him to collapse.
CONSTRUCTION TOUGH
1: (Falls in slow motion while kicking up dust) Mmmph!
1: (Falls in slow motion while kicking up dust) Mmmph!
WALKER dusts himself off, hitches
his jeans above belly button again, and begins walking back towards
the OFFICE door.
his jeans above belly button again, and begins walking back towards
the OFFICE door.
FADE OUT