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CRASH MOVIE SCRIPT: PAUL HAGGIS DIRECTOR’S CUT

The Script for Crash Sucked So I Rewrote It

The Script For Crash Sucked So I Rewrote It - Paul HaggisBy
Acclaimed Film Director Paul Haggis
Hello,
I’m acclaimed film director Paul Haggis. I’ve written scripts for hit
family shows such as Walker: Texas Ranger, The Facts of
Life, and [Hey,] Whose the Boss [Is This?]. Most recently, I penned
the script to the
(triple) Oscar winning film Crash which starred actors like Don
Cheadle, Sandra Bullock, Keith David, Don Cheadle, and Don Cheadle.
 
While crash was a huge success, I was never quite satisfied with the
way it
turned out. Due to pressure from studio bigwigs, I was forced to tone
down the “obscenely unrealistic characters & situations” and “dialogue so laughable it seems to have been written by someone who is completely unfamiliar with the way normal human beings speak or interact with one-another”(their
words), leaving my script toothless and ambiguous (the film is anti-racism, in case you were wondering).
 
So that’s why I’ve decided to share my original vision for Crash with the world. Here’s just a short excerpt. Hope you enjoy it.

Haggis, Out.

The Script for Crash Sucked So I Rewrote It

The Script For Crash Sucked So I Rewrote It - Paul HaggisBy
Acclaimed Film Director Paul Haggis
Hello,
I’m acclaimed film director Paul Haggis. I’ve written scripts for hit
family shows such as Walker: Texas Ranger, The Facts of
Life, and [Hey,] Whose the Boss [Is This?]. Most recently, I penned
the script to the
(triple) Oscar winning film Crash which starred actors like Don
Cheadle, Sandra Bullock, Keith David, Don Cheadle, and Don Cheadle.
 
While crash was a huge success, I was never quite satisfied with the
way it
turned out. Due to pressure from studio bigwigs, I was forced to tone
down the “obscenely unrealistic characters & situations” and “dialogue so laughable it seems to have been written by someone who is completely unfamiliar with the way normal human beings speak or interact with one-another”(their
words), leaving my script toothless and ambiguous (the film is anti-racism, in case you were wondering).
 
So that’s why I’ve decided to share my original vision for Crash with the world. Here’s just a short excerpt. Hope you enjoy it.

Haggis, Out.


 
 

A LARGE SUV (BLACK) HAS BEEN PULLED OVER BY
POLICE.
POLICE OFFICER DUKE (WHITE) STEPS OUT AND APPROACHES THE DRIVER OF THE
VEHICLE, ABNER(BLACK). ABNER’S WIFE GERTY (BLACK) SITS IN THE
PASSENGER SEAT.

 

OFFICER DUKE
Well well well, what do we have here…two blacks out for a drive, eh!?
Just what did you think you were doing? You two were speeding faster
than ever.

ABNER
I don’t want any trouble officer, I am just trying to get to the bank.
That’s my job. I’m a hardworking bank teller, not a gang member, and proud of it. My wife, who is also
black, is here in this car with me.

UTILIZING HIS HAND, ABNER POINTS AT GERTY. OFFICER DUKE SHAKES
HIS HEAD.

 

OFFICER DUKE
Please step out of the car sir.
 
GERTY THE BLACK WIFE (INEXPLICABLY SHOUTING)
Let me just make it clear right now that I am a strong modern black woman
who won’t take any guff from white cops! We did nothing wrong! This is
profiling! Help! Help!

 

OFFICER DUKE DRAWS HIS POLICEMANS REVOLVER AND POINTS IT INTO THE CAR.
HE SPEAKS INTO HIS RADIO.

The Script For Crash Sucked So I Rewrote It

OFFICER DUKE
Code 14, code 14! Boy oh boy there’s trouble. Got two blacks here and the female appears to be theatrically resentful of bigoted authority figures. Please send backup. Both of you out of the car! Do it! Do it
now! Hands on
your head! Black faces to the ground! Do it! Do it! Do it! Do it! Do it! The minor differences in certain areas of our genomes make you inferior!
 
ABNER
Please honey, let’s just do what he says so we can be on our
way to the opera. Did you hear that sir? We’re attending an opera. It
should be obvious that we are upper-middle class. Don’t you see my wife’s
handbag there? That is a $200 handbag. We are listening to public radio. Please give us a break.

OFFICER DUKE
What?! You uppity blacks think you can do whatever you want! I’m going to punish you by fondling your black wife! I am a white cop who
just does whatever he wants! Keep your mouth shut and watch the master
at work.

 

OFFICER DUKE POKES GERTY’S REAR-END AND STICKS A CHUNKY WHITE FINGER IN HER MOUTH.

 
OFFICER DUKE
Oh hell yeah!

 

GERTY SQUIRMS UNCOMFORTABLY, MAKING A SCREWED UP FACE
 

ABNER
Excuse me, perhaps you didn’t notice, but you groped my black wife just then. You seem like a reasonable enough guy, so I’m willing to overlook this
in the name of race-relations if you’ll let us be on our way. You’ve had your fun. Let’s all go home.
 
GERTY
ABNER! He touched my butt and mouth! Blarg!

 

OFFICER DUKE TAKES OUT SOME POLICE HANDCUFFS

 

OFFICER DUKE
Shut up! I’ve had enough black-sass for one night. Put your hands behind
your backs and stick your
faces in the sand! You are under arrest for speeding and talking back. I hate you blacks because my father was mean. Paradoxically I also find myself
physically attracted to the females of
black race! Whoa!

 

OFFICER DUKE FINISHES HANDCUFFING GERTY, LICKS HER WRIST, AND
MOVES OVER TO ABNER.
 

ABNER
Why do you hate us! I drive an expensive car and I am
wearing a suit! I wasn’t even listening to rap music. This is patently
absurd.
 
OFFICER DUKE
Save it, junior. You were listening to jazz which is just as bad, if
not worse. Not only do blacks enjoy it, but it is also so do lowlife beatniks. Now reach for the clouds, lest I make you an angel
who resides in one.
 
GERTY
Ah! I am furious! I will kick your white ass to Proxima
Centauri, the third
star in the Alpha Centauri system!
 
OFFICER DUKE
What!
 
ABNER
Honey juice, you are only making this worse by using slang commonly
associated with lower-class black stereotypes.
 
OFFICER DUKE
I’m adding threatening an officer to your list of offenses. You’ll get
the chair for this.

 

SUDDENLY ANOTHER COP CAR PULLS UP. JIMMY THE YOUNG WHITE ROOKIE
COP STEPS OUT WITH HIS GUN DRAWN.
 

ROOKIE JIMMY
What is going on here, I heard you call in a code 14 on the radio,
which means an attack
on police.
 
OFFICER DUKE
These here blacks were causing a ruckus. The woman made threats.
Let’s bash their black brains in with our truncheons and plant zip guns
on them!
 
ROOKIE JIMMY
Stop, in the name of the law! I am relatively young and I have no racial prejudice! The motto of police is protect and serve!

 

BUT IT IS TOO LATE. OFFICER DUKE SMASHES GERTY ON THE HEAD WITH HIS
COP BATON AND BEGINS TO BEAT HER WITH IT. SUDDENLY A SPEEDING CAR
DRIVEN BY AN ASIAN WOMAN COMES UP AND SMASHES INTO ALL OF THEM. THE
SCREEN FADES TO AFRICAN-AMERICAN (BLACK).

The Script For Crash Sucked So I Rewrote It

 

OFFICER DUKE GETS TO HIS FEET. THERE IS BLOOD ALL AROUND AND THE SUV IS
ON FIRE BEHIND HIM. FROM INSIDE HE HEARS A SCREAM.
 

MYSTERIOUS WOMAN OF INDETERMINATE ETHNICITY
Help! I’m trapped in here!
 
OFFICER DUKE
As a sworn officer of the law, it is my job to save you!

 

OFFICER DUKE REACHES INTO THE CAR AND PULLS HER OUT. TURNS OUT SHE IS
GERTY. SHE HUGS HIM AND KISSES HIM ON THE CHEEK AND SQUEEZES HIS
BUTT.
 

GERTY
My hero!
 
OFFICER DUKE
All in a days work ma’am. Hey, wait a second, maybe you coloreds aren’t
so bad after all. Somehow saving your life has essentially managed to erase a
lifetime of deeply-ingrained racial hatred from my brain.
 
GERTY
I am human, just like you.
 
OFFICER DUKE
That’s right, we’re all runners in this race, meaning the human race. I’m cured.
 
GERTY
I love you…
 
OFFICER DUKE
I love your black body, and your human soul.

 

THE TWO KISS AND WALK INTO THE MOONLIGHT. THEY GET MARRIED AND HAVE
MIXED
RACE BABIES (THEY LOOK A LITTLE ASIAN). ABNER FINDS OUT HE IS GAY OR SOMETHING. OFFICER DUKE’S RACIST FATHER
DIES
OF CANCER AND EVERYONE SHRUGS BECAUSE HEY, WHO CARES.
 

THE END.